- 作者简介 - 吉奥乔·阿甘本（Giorgio Agamben，1942— ），意大利哲学家，当代最富影响力的思想家之一，代表作为“神圣人”系列。拜德雅已出阿甘本著作：《语言的圣礼：誓言考古学》（“神圣人”Ⅱ，3）、《宁芙》、《奇遇》、《普尔奇内拉或献给孩童的嬉游曲》。 - 译者简介 - 尉光吉，中国人民大学哲学院博士研究生。出版有《不可言明的共通体》（与夏可君合译）、《艺术与诸众：论艺术的九封信》、《无尽的谈话》、《内在体验》等译著。

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)

"Editing is the creative force of filmic reality." So Dmytryk, director of the American classic "The Caine Mutiny" begins this little book, which he hopes will aid film directors and editors in perfecting their art. It is informative for general audiences as well, demonstrating how deeply the experience of any film relies on the creativity and versatility of its editor. Product...(展开全部)

“India is like Wonderland. In this other universe everyone seems mad and everything is upside down, back to front and infuriatingly bizarre . . .”In her twenties Sarah Macdonald backpacked around India and came away with a lasting impression of heat, pollution, and poverty. So when an airport beggar read her palm and told her she would return to India -- and for love -- she scr...(展开全部)

Winnie the Witch would like to announce that in this book she is actually Winnie the pirate and Wilbur is not her cat, he's her parrot. When they arrive at Cousin Cuthbert's party in their fancy dress, Winnie and Wilbur discover a whole crew of children, ready for action. With a map and a fine pirate ship (thanks to a little magic from Winnie) they set off to find their treasur...(展开全部)

拉兹洛·莫霍利-纳吉（1895—1946)，是20世纪杰出的前卫艺术家之一。曾任教于早期的包豪斯，奠定三大构成基础，强调理性、功能，他在学术上对表现、构成、未来、达达和抽象派兼收并蓄，以各种手段进行拍摄试验。最为突出的研究是以光、空间和运动为对象。他曾以透明塑料和反光金属为实验材料，创作“光调节器”雕塑。

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

拉兹洛·莫霍利-纳吉（1895—1946)，是20世纪杰出的前卫艺术家之一。曾任教于早期的包豪斯，奠定三大构成基础，强调理性、功能，他在学术上对表现、构成、未来、达达和抽象派兼收并蓄，以各种手段进行拍摄试验。最为突出的研究是以光、空间和运动为对象。他曾以透明塑料和反光金属为实验材料，创作“光调节器”雕塑。